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Channel: a) Sixties and earlier [0 – 1969]
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AS WE WIND ON DOWN THE ROAD – ZEPPELIN AND FOLK

This article continues a feature on the bursting forth of folk influences on Led Zeppelin III. It uses as a springboard quotes from Jimmy Page, Robert Plant and John Paul Jones and looks at albums that...

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TURNED OUT NICELY

I remember buying my copy of Jethro Tull’s Stand Up at a Record Fair many years ago. The stall belonged to a guy I knew vaguely from the public radio station I presented on, 3 PBS FM. He was part of...

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MATI AND THE MUSIC [PART TWO]

This article is the second part of a feature on the album covers of artist Mati Klarwein. The first part is entitled More Than Abraxas. The life of a peripatetic artist is one of change and blending...

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UNCANNY MASTERPIECE

IN THE COURT OF THE CRIMSON KING A reflection in two parts by a grateful subject I Has there been a more spine tingling opening to an album than the beginning of In The Court Of The Crimson King? An...

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BACK TO TOMORROW

The Sixties began in the summer of 1956, ended in the October of 1973 and peaked just before dawn in 1 July, 1967 during a set by Tomorrow at the UFO Club in London.  So begins the entertaining memoir...

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BUZZ OF THE WEEK

One of the energising aspects of supporting a large – many would say excessive – music collection are those moments when something crops up on the turntable (or, whisper it, in the CD player) that...

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LASTING FIRSTS

Debut albums are a bit special. Often the result of a long gestation period that may well have begun in someone’s teenage bedroom, there is an exuberance and excitement to a first offering that...

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ROCKY ROAD

Just watched part one of Blood and Thunder, an excellent new doco on the Albert music company and its place in Australian rock history. Fast paced and carefully researched, it told a story well known...

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ALMANAC PLAYLIST – 21 JULY

Today I employed the Almanac Strategy © for my ‘work at home’ playlist. This is what it yielded for the 21st of July. The information in italics is sourced from various internet sites. There are links...

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LISTENER’S DIGEST #1

While we love celebrating album cover art here at Vinyl Connection, it’s worth remembering that those sleeves contain records (or, ahem, CDs). So for this first edition of (yet another) occasional...

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MINIMAL RAINBOW

Man, I’m tired. this lecture better be interesting. where’s a seat out of the firing line. yeah up there, two-thirds back on the right… Please find a place as quickly as you can as I am about to begin....

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MULTI-COLOUR OF THE RAINBOLD

An opening electric guitar chord, solo-strummed, then the drums and bass kick in. It is a simple, powerful rhythm that is instantly inviting and enveloping. If it was a concert, you’d be on your feet...

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10 ALMANAC ENTRIES FROM 1955

Chuck Berry records his first single, “Maybelline”, for Chess Records in Chicago [May 21]. Despite the vitality of his early songs and his significance as a writer/performer, surprisingly few of his...

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10 TERRIFIC ALBUM COVERS* – PART 1

* ADDED TO THE VINYL CONNECTION COLLECTION DURING 2015** ** And whose music is terrific too As album cover art is something of a passion here at Vinyl Connection, I thought I’d share some of the covers...

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10 TERRIFIC ALBUM COVERS* – PART 2

* ADDED TO THE VINYL CONNECTION COLLECTION DURING 2015** ** And whose music is terrific too! This is the second part of what was going to be a quicky but quickly became an epic. * Velvet Underground –...

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BLUE VELVETS

One of the albums featured in 10 Terrific Album Covers – Part 2 was Live MCMXCIII by The Velvet Underground. At the time I was a trifle dismissive. Having the double CD did not deter me from snapping...

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DECADE DIVING #2

1976 When I stumbled across a copy of Jean-Michel Jarre’s breakthrough electronic album Oxygène in a Daylesford book and record shop some years back I was quite excited. Not because of the music itself...

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ORGANS OF HEARING

Decade Diving  (Round 3) 1966 A left-hand piano figure rocks up and down before a bluesy right hand enters, along with drums and bass. It’s cool, it’s groovy, it’s ‘My sweet potato’, the opening cut on...

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SMILING PHASES

STEVE WINWOOD How do you approach the catalogue of an artist active over many decades in several different outfits who has a substantial solo output to boot? That’s the question I’ve been pondering, on...

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STILL REVOLVING

It is the album that marked the Beatles transition from mop-tops to musicians, from pop princes to progressive boundary-pushers and it has been part of popular culture for half a century. Ringo may...

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